Sun n Fun Aerospace Expo Archives - FLYING Magazine https://cms.flyingmag.com/tag/sun-n-fun-aerospace-expo/ The world's most widely read aviation magazine Wed, 31 Jul 2024 14:05:31 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.1 Ultimate Issue: Specializing in Works of Art https://www.flyingmag.com/aircraft/ultimate-issue-specializing-in-works-of-art/ Wed, 31 Jul 2024 14:05:28 +0000 https://www.flyingmag.com/?p=212333&preview=1 From conception to execution, Evoke Aviation aims to be the one-stop paint shop.

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Evoke Aviation is an aircraft paint facility owned by Jonathan McCormick in Gadsden, Alabama. McCormick and his team perform high-end paint jobs on experimental aircraft that take homebuilders out of the dream-like, sometimes nightmarish, build phase and into the next chapter—reality.

Imagine being past the hard part and turning your nearly finished airplane over to McCormick and his well-trained staff to put the cherry red on your sundae. Finally, it’s time to fly—and turn some heads.

What started as a desire to offer more elaborate schemes has since become Evoke Aviation and Evoke Aircraft Design, the graphic design portion of the business. Evoke’s portfolio includes more than 50 EAA AirVenture award-winning homebuilts, such as Steve Thorne’s (“Flight Chops” on YouTube) Van’s RV-14.

“I would say our customers are people who want to be able to show off a little bit of their personality,” McCormick said.

When meeting the Evoke team at AirVenture in Oshkosh, Wisconsin, I was greeted by youthful faces and tattooed limbs. These folks looked like me, and I was excited to learn about additional career opportunities in aviation. There are more obvious routes, such as becoming a mechanic or delving into engineering or marketing, but graphic design was something I’d never really thought about, let alone aircraft painting.

“It’s very cool to be able to not only design the airplane, but work in a facility on-site where that design is then put on the airplane, and you can have input as it’s all being created and basically coming to life,” McCormick said. “I think it’s a very cool niche for the designers to get into.”

Evoke Aviation adds a splash of color to the Northeast Alabama Regional Airport (KGAD) in Gadsden. [Courtesy: Evoke Aviation/Jonathan McCormick]

The Prep

McCormick was able to establish the foundation for what would become his own design company and paint shop—located at Northeast Alabama Regional Airport (KGAD)—by aiming to fill a need and taking every necessary step to do so. He’s always been entrepreneurial. He started a DJ business in high school that he worked all throughout college, where he studied auto collision repair. He knew that focus would be a gateway to custom painting.

After graduating with a technical certificate, he landed a job at International Jets, an aircraft paint facility in Gadsden. He fell in love with airplanes and worked to fine-tune his skill during a time when paint schemes weren’t all that exciting.

“I always knew that I could do better,” he said. “I was always so frustrated by what I was painting, and I just knew I could create better designs. And so that’s where the idea started.”

Around 2011, work sent McCormick to Nigeria for a year to manage a project. During his downtime he created a business plan for his own design company, Plane Schemer, which was rebranded to Evoke Aircraft Design in 2021 to better align with his paint shop, Evoke Aviation. Upon his return, he launched a website and put together enough money for a booth at the Sun ’n Fun Aerospace Expo in Lakeland, Florida. He didn’t have a lot of designs to show, but was able to persuade a few people to work with him. Shortly after, he was able to quit his day job of painting airplanes and focus on building his own brand.

A few years later, International Jets went out of business, and McCormick acquired its hangar, allowing him to offer not only schemes but paint jobs as well. Now with complete control over the quality of the finished product, he could focus on taking Evoke paint jobs to the next level by using the highest quality materials and procedures.

“The majority of our labor hours goes into the body work and the prep and getting it ready for paint, and actually the paint is one of the easiest parts,” he said. “So 65 percent of the budget goes into the actual prepping of the airplane, and then the rest of it goes into the paint and the finish work and the reassembly.”

Evoke doesn’t cut corner, just clean lines. [Courtesy: Evoke Aviation/Jonathan McCormick]

The Primer

McCormick manages 20 employees across both businesses—five designers and the rest paint-and-body-work technicians. He said he hires people who take pride in their work and want to do better for themselves. That positive company culture has attracted capable employees who produce quality work, and McCormick feels this is what has allowed his business to grow so quickly.

As with every aviation business, hiring and retention has proven difficult at times, so Evoke does a lot of recruiting to combat those challenges. This is the main reason its employee average age is low. Additionally, McCormick believes it’s easier to hire and train from scratch, rather than try to retrain experienced designers and technicians.

“We can teach exactly the way we want everything done from the very beginning, and there’s no bad habits to get rid of,” he said.

Sammy Davis, one of McCormick’s first employees, now serves as Evoke’s senior designer. Davis set out to study graphic design in college but switched her major from art to business after her first year.

She was originally hired to help from a business standpoint as she not only majored in it but had interned at a software and systems engineering company, where she absorbed a lot of valuable information that would help make Evoke scalable for the future. Davis went to Sun ’n Fun with McCormick for his big debut and got to ride in an Aero L-39 Albatros.

“That was my first-ever plane ride, and I was like, ‘OK, I would like to be a part of this, please,’” said Davis, noting the Lakeland trip served as her introduction to aviation and she is now the only pilot on the Evoke staff.

Due to an increase in sales and McCormick being pulled in different directions, Davis decided to learn scheme design. She said she watched McCormick and asked a lot of questions.

“You have to be patient and a little bit hardheaded,” she said.

Davis pointed out that repetition was key, and eventually she got the green light to start working with clients. She’s been at it for seven years, but said a lot has changed in that time.

“Schemes back then were not as elaborate as they are now for the most part because the trend hadn’t quite kicked off yet,” she said. “So back then it was just like, OK, well here’s a really simple prompt, maybe a two-tone. Someone wants a white base and like a red bottom with a stripe in the middle. OK, well that’s easy enough. You do that and then you send it off to them, you do your edits, and then you try a top view. OK, well now you try the wings, and you would think something shaped as a rectangle wouldn’t be as challenging as it is, but there’s a lot of curves and 3D forms to think about.”

Customers initiate the design process by filling out a survey that covers preferred styles, colors, and paint finishes. They are also asked to send in reference photos of what they like. In addition, it’s helpful if designers know at what stage their customer is at in their build and what their mission is—do they want to win an award, or are they looking for something more practical? The designers work with their clients, whether it be over the phone, through Zoom calls, or in person, to finalize the scheme. This can take weeks, months, or years, and sometimes upward of 50 renderings to complete.

At any given time, designers can host a Zoom meeting with their client to talk through design changes. Both Davis and McCormick called this a fun activity because clients are impressed by how quickly Evoke’s designers can make changes—since they know all the shortcuts—and it’s exciting for the customer to see them carve out their airplane’s final form. Customers can also invite friends and family to join. Screen sharing also saves Evoke a lot of phone calls.

“You can cut down so much time,” Davis said. “You can cut down weeks of back-and-forth by doing a Zoom session, honestly. Because they can see their ideas in real time, and they can visualize it, and they can also ask technical questions that they might not think of when they’re dialing a response back.”

Evoke also reduced the number of checkup phone calls it receives by developing an online portal for customers to track lead times.

“Once you initiate a design with us, you get on the paint schedule, you get a Signature Series number assigned to you, and then as the airplanes are completed, we have an online portal that you sign into,” McCormick said. “It has your number, where you’re at in line, what your current wait time and estimated drop-off date is, and then you can also see the planes that are in progress, and you see the planes as they’re being finished. So it’s like this interactive system that you have access to once you get on the schedule.”

Evoke painted Darryl Hudec’s F1 Rocket, N255D. [Courtesy: Evoke Aviation/Jonathan McCormick]

The Paint

Dakota Jennings, another one of McCormick’s first hires, works as a paint technician, having gotten his start studying auto collision repair, just like McCormick. Jennings was able to perfect his craft under McCormick’s tutelage, working through unfamiliar tasks diligently until he got it right.

“He showed me how he does it, and then he let me do it,” Jennings said. “He never wanted to do it for me. And once I get it, I’ve always got it,”

Jennings enjoys everything about his job, from hand-striping lines to creating his own colors for fades. Like many of the other team members, he fell in love with aviation and was excited to tell his college peers he works on airplanes.

“It was like my calling to be in the aviation industry,” he said. “I really could be doing something else, but I really enjoy being here and being…I guess you could call it an artist.”

When asked what makes a good aircraft painter, McCormick said it’s all about a strong skill set rather than just having the right tools.

“I believe that to paint to the quality that we’re doing is a 100 percent skill,” he said. “At Oshkosh I do a seminar and I tell exactly how we do every single step of our paint process. There’s no secrets. There’s nothing proprietary about the way we do things. We just do everything to a degree and with the skill set that is almost impossible to replicate without having the team of people we’ve been able to build and put together here.”

The Finished Product

Your airplane is painted. Now how do you maintain it?

Evoke has created a line of cleaning products, called the Signature Shine Series, that allows customers to take a little bit of luxury with them when they leave the facility. McCormick worked with one of his clients who owns a company that specializes in product development, manufacturing, and packaging to create the line of supplies for Evoke.

“It’s not meant to be a really big sector of our business, but it is very cool when we’re finished with an airplane to be able to continue our involvement in their paint job,” he said.

At AirVenture, Evoke brings a team to detail airplanes all week, so if your homebuilt was painted by Evoke and you fly it to Oshkosh, you’ll get the royal treatment.

Now that McCormick has built his empire, he works seven days a week to maintain it.

“Not to micromanage, but just to manage to a degree where we’re never compromising our quality,” he said. “That quality, attention to detail, and pride in what we do is the biggest reason our product has grown to become so popular.”

He’s proud to be quite involved in every aspect of the company. So how does he continue to improve?

“I think I’m intuitive, but I also try to learn from people who have done it before,” McCormick said. “It never hurts to pick up a book about business management and [study] how to communicate more effectively as a leader. It’s worth going through books, even if there’s one sentence or phrase in that entire book that becomes valuable, and it’s something you can implement in your day to day, and just stacking those skills and learning to communicate better and to be a more effective leader.”

For more information on Evoke Aviation, call 256-490-1541 or visit www.evokeaviation.com and www.evokeaircraftdesign.com.


This feature first appeared in the Summer 2024 Ultimate Issue print edition.

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What You Need to Know Before Flying Into Sun ‘n Fun https://www.flyingmag.com/what-you-need-to-know-before-flying-into-sun-n-fun/ Mon, 08 Apr 2024 18:18:15 +0000 https://www.flyingmag.com/?p=199972 Pilots should study the FAA's Notice to Air Missions (NOTAM) prior to departure.

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If you are planning to fly yourself to Lakeland, Florida, for the annual Sun ‘n Fun Aerospace Expo, make sure you study the notice to air missions (NOTAM) prior to departure. There have been several changes from previous years, and you don’t want to be the pilot who does something silly, unexpected, and potentially dangerous.

The FAA, which predicts nearly 2,000 pilots are headed to Sun ‘n Fun (SNF), has published a NOTAM for the event, effective Monday, April 8, to Sunday, April 14, for the duration of the event. 

Pilots should read the NOTAM in its entirety, but these are some areas the FAA has called out this year:

VFR Procedures

There are multiple VFR procedures for Sun ‘n Fun arrivals, and they vary depending on the type of aircraft, such as warbirds, ultralights, or aircraft without radios (NORDO), so read the NOTAM carefully.

Contacting Flight Service by Radio

  • On initial call-up, advise flight service of your full aircraft identification and which frequency you are using.
  • When transmitting on 122.1 and listening to the VOR, check that volume is up.
  • Due to frequency congestion, air files and in-flight full route weather briefings are discouraged.
Lake Parker VFR Arrival Procedures [Courtesy: FAA]

Tips for Enroute

Pilots should acquire the ATIS no later than 60 miles from Lakeland Linder International Airport (KLAL), noting the arrival runway in use. Follow the published NOTAM procedures for your type of aircraft.

Pilots are requested to have their landing lights on for extra visibility when they are within 40 nm of KLAL and make sure their transponder remains on during the approach. ATC will contact pilots in the vicinity of Lake Parker’s north shore, using the aircraft “color” and “type” to provide sequencing and other arrival information. When you file your flight plan, make sure to include these.

Pilots will likely be asked to rock their wings in acknowledgment of instructions. Do not transmit unless requested by ATC or if you have an emergency. ATC at Lake Parker controls traffic flow and assigns the KLAL landing runway.

Pilots are cautioned to pick out an aircraft of similar type and speed to follow and remain at least a half mile in trail behind it. Aircraft should not be overtaken nor should the pilots perform S-turns to follow another aircraft. Instead break off the procedure and proceed to the starting point and follow another aircraft of similar speed.

Pilots are encouraged to add at least 30 minutes to their expected time en route with a corresponding fuel load in the event they are required to hold, go around, or divert to an alternate.

All aircraft maintain 100 knots, at 1,200 feet msl.

Aircraft unable to safely slow to this speed should maintain 150 knots at 1,700 msl, with the exception of twin-engine aircraft that should be at an altitude of 2,200 msl.

Pilots should land on either the green or orange dot, per ATC instructions.

Be alert for special event traffic and flyby aircraft using the main runway with opposite-direction base leg entries.

Do not deviate south of Runway 10R/28L in the event of a go-around.

Do not land on the main (wide) Runway 10R/28L unless specifically instructed by ATC.

Do not stop on the runway. High-speed taxi to the end of the runway or follow ATC instructions.

Pilots are asked to close flight plans while airborne.

Due to the large number of aircraft, you may encounter up to a 30-minute delay in parking. Clouds can result in an overdue if the flight plan has not been closed.

NORDO Procedures

Aircraft not equipped with an air-to-ground radio (NORDO) must land at an airport within approximately 30 minutes of KLAL. Call Lakeland Tower at 863-647-4864 and receive ATC approval for arrival. Specific routes and runway assignment will be issued based on traffic and weather conditions.

To ensure clear and concise communications with ATC, pilots are asked to carry a copy of the Sun ’n Fun Aerospace Expo Domestic Notice aboard their aircraft. Don’t expect the controller to read it to you.

All VFR departures requesting airborne activation of IFR flight plans or VFR flight following in the central Florida area should use published procedures.

If the weather at Lakeland or along the route of flight is marginal VFR, it is strongly suggested that the pilot file IFR from their departure airport and receive your IFR clearance and departure release on the ground. As the event creates a significant uptick in air traffic, Tampa, Orlando, and Jacksonville approaches may not be able to issue IFR pickup clearances.

Pilots landing or departing KLAL should display a sign on the left side of their windshield to designate their intended parking/camping area or type of departure. The sign should have dark letters large enough to make it readable from at least 50 feet. Consider using a thick black marker to apply the appropriate designation (such as VA for Vintage Aircraft) on a piece of printer paper. Computer or tablet signs are not acceptable.

Note that there is usually a significant number of departures after the daily airshow ends, therefore arrival traffic is not normally accepted until 30-45 minutes after the conclusion of the event. Pilots are advised to check the ATIS to determine if the airport has reopened.

Do not plan to arrive or depart after the night airshow as the airport will be closed.

When You Land

Do not make unnecessary radio transmissions where procedures state, “Monitor the frequency only.”

Do not stop on the runway after landing. High-speed taxi to the end of the runway.

Show visitors are warned not to stand on/near or walk/drive across the runways. Be aware of aircraft coming and going in the aircraft parking areas. Don’t assume the pilot of a taxing aircraft can see you.

Pilots should use caution when operating in nonmovement areas and recognize that all movement on anything other than paved runways comes at a pilot’s own risk. Also, remember that many of the visitors to SNF may not be familiar with the visual limitations from the cockpit, so pilots be extra careful around pedestrians.

All aircraft must be tied down and, when on a paved surface, chocked.

Aircraft parking and camping is allowed in designated areas only. Camping north of Runway 10L/28R is prohibited.

No campfires or stoves are permitted near aircraft, and visitors are asked to observe all fire prevention rules.

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A Fond Memory: Sun ‘n Fun Aerospace Expo 2023 https://www.flyingmag.com/a-fond-memory-sun-n-fun-aerospace-expo-2023/ Sun, 10 Dec 2023 16:49:20 +0000 https://www.flyingmag.com/?p=190128 There's something special about about flying your airplane into an airshow or aviation festival. You truly feel accomplished when you fly the published approach, rock your wings on command, stick the landing on the dot specified, and then are greeted by the people on scooters who direct you where to park at the Sun 'n Fun Aerospace Expo.

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There is something extra special about flying your airplane into an airshow or aviation festival. You truly feel accomplished when you fly the published approach, rock your wings on command, stick the landing on the dot specified, and then are greeted by the people on scooters who direct you where to park.

That’s how it is supposed to go—and often it does go that well, provided you do your homework before you launch for the big event.

Aspiring to own a backcountry king? The Aviat Husky A-1C was just one option to choose from at Sun ‘n Fun. [Credit: Stephen Yeates]

If this is your first flight to a given airshow or fly-in, look for a pilot who has made the trip before and is willing to share information. You might even find someone who will make the flight with you.

Pick the route that works best for your aircraft, keeping in mind performance, especially when it comes to climbing over any high terrain on the way. A turbocharged Cessna T182 might not have any trouble, but the pilot of the vintage Taylorcraft might take a longer route that keeps the airplane over lower terrain.

Consider using supplemental oxygen. Though the regs say that the minimum flight crew needs to be on supplemental oxygen at 12,500 feet after 30 minutes, most pilots begin to experience hypoxia at much lower altitudes—sometimes as low as 6,000 feet—so be prepared.

Know how to calculate performance and use the avionics you’re flying with. You don’t want to be the pilot randomly pushing buttons to update a flight plan while hurtling through the air.

Be conservative about weight and balance as well as performance. While it is tempting to overload your aircraft by ‘just a little’ with all the gear you want for camping, it can come back to bite you. Remember, the OEM determined the calculations in the POH using a new airplane and a test pilot at the controls.

Have at least two methods for updating your preflight briefing in the air—a tablet and com radio, for example—and always carry a backup handheld radio. If you’ve never used a payphone (these people walk among us—payphone operation is now part of my curriculum), learn how to use it. There are places that lack cell service but still have a payphone on location, believe it or not.

Pack water and snacks for the trip, and be wary of dehydration and hunger as they make you sleepy. Drink some water before the approach to landing, as water wakes you up—and an alert pilot is a better pilot.

Plan each leg of the flight meticulously. Be careful that get-there-itis does not cloud your judgment. Build in extra days, and ID places to divert to on each leg.

Make sure you are night current and proficient before you begin the journey. There are times when a pilot finds themselves playing “beat the clock” in an aircraft not certified for night flight because the last flight segment went longer than they anticipated.

For navigation, use a combination of digital and analog methods—if the digital goes tango uniform, the paper could save your trip. Make sure both paper and digital materials are current. You do not want to fly with a sectional years out of date and enter Class D airspace thinking it’s a Class E airport—only to learn the airport now has a tower.

Be conservative about fuel burn. Make a list of all the airports that have fuel, located along your route and within 20 miles off to each side, just in case.

If you are flying with a copilot or a companion, have a discussion about cockpit duties before you leave the ground. With a copilot, make sure to designate who is the ‘pilot flying’ and who is the pilot monitoring and fielding radio calls and programming avionics.

If they are not a pilot, you can still assign them the task of watching for traffic and dialing in frequencies on the com side.

Mods and more mods go on display, such as this Blackhawk Aerospace King Air conversion. [Credit: Stephen Yeates]

Airshow NOTAMs

By regulation, specifically FAR 91.103: “Each pilot in command shall, before beginning a flight, become familiar with all available information concerning that flight.” This means the pilot needs to know what weather to expect, be familiar with the forecasts, fuel requirements, aircraft takeoff and landing data, weight and balance, alternatives available if the planned flight cannot be completed, and any known traffic delays of which the pilot in command has been advised by ATC. If your intended destination is an airshow or fly-in, this regulation is now on steroids—expect to find a multi- page notice to air missions (NOTAM) released several days before the event.

The larger the fly-in, the larger the NOTAM. Pay special attention to the communication procedures. If the airport is non-towered, it is likely that a temporary control tower will be brought in for the event. The procedures are created to lessen frequency congestion.

Instead of having hundreds of pilots all talking at once, it’s often one radio call made over a specific landmark to establish contact. Rock your wings when recognized, then follow instructions for landing.

Most NOTAMs have traffic pattern diagrams imposed on Google Earth images for illustration—it’s easy to see where you should be and where you need to avoid when you have an image to refer to.

Pilots who have flown into airshows before—like Sun ’n Fun Aerospace Expo and EAA AirVenture—recommend having a hard copy of the NOTAM with you in the cockpit along with any digital presentation. Paper doesn’t run out of batteries.

Even if you have flown into this particular event before, still study the NOTAM, as they are often adjusted year to year—for example, traffic patterns may be altered to move aircraft away from heavily populated parking areas.

New tech on display: The show saw the announcement of the CubCrafters Carbon Cub UL with a Rotax 916iS powerplant. [Credit: Stephen Yeates]
The night show on Wednesday and Saturday draws a crowd to see performances by the likes of the Aeroshell demonstration team light up the sky. [Credit: Stephen Yeates]
The WACO on floats highlighted a press conference outside of the WACO Kitchen at KLAL before the show. [Credit: Stephen Yeates]
The classic lines of the Lockheed Electra always draw an airshow crowd. [Credit: Stephen Yeates]
“Panchito” soars through the moody central Florida skies during the Sun ‘n Fun Aerospace Expo’s daily airshow. [Credit: Stephen Yeates]
The Junkers A50 light sport version made its grand U.S. debut at the Sun ‘n Fun Aerospace Expo. [Credit: Stephen Yeates]

Skills for the Airshow Arrival

Brush up on specialty takeoffs and landings, crosswind approaches, and go-arounds before you head out on the great adventure. You do not want to be rusty flying into an airshow.

There is a maneuver you were probably not taught as a student pilot but you need it to establish communication and many of these events—that is rocking the wings of the aircraft.

It sounds simple enough, but the controllers who ask the airplanes to identify themselves by rocking their wings really want to see you rock those wings. Make that airplane thrash around like a 10-year-old who has had a frog put down their shirt—but don’t stall or roll inverted.

Practice approaches, especially short approaches and precision landing technique, because “land on the green dot” means land on the green dot.

Study the airport diagram for the facility and know where you will be expected to park. Usually, airshows have ground marshalers, often people on scooters wearing safety vests with FOLLOW ME on the back.

Remember to watch your wingtips as you taxi, especially when there are lots of people around. Though there may be designated pathways for pe- destrians, some people drift outside of their lanes. You don’t want to be the pilot of the Cessna 172 who hits someone in the back of the head with your wing while you taxi, or the guy in the Beechcraft Baron who decides to ignore the ground handlers and taxi into the grass—putting the nosewheel into a gopher hole, resulting in two propeller strikes.

And, in the end, if you are delayed getting to the event, learn from the experience—and realize that it will make a better story to be told around the campfire.

In Paradise City, new models abound in the ultralight and light sport world, including this Aeroprakt-32, made to be an aerial photo platform. [Credit: Stephen Yeates]
A perennial favorite among the favored P-51s, the Mustang “Crazy Horse” silhouettes against the sunset. [Credit: Stephen Yeates]

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An Airline Pilot’s Sun ‘n Fun Trek https://www.flyingmag.com/an-airline-pilots-sun-n-fun-trek/ Thu, 07 Dec 2023 12:37:48 +0000 https://www.flyingmag.com/?p=189830 With Lakeland only a short distance from our home in Florida by car or air, attending Sun ‘n Fun Aerospace Expo is a no-brainer.

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With Lakeland only a short distance from our home in Florida by car or air, attending Sun ‘n Fun Aerospace Expo is a no-brainer. Although reduced in number to a trio, the airport crowd from my Connecticut days always plans the annual journey south. None are airline pilots, but they are passionate about aviation and the camaraderie. On this trip, we inducted my JetBlue check airman friend, Mike Strauss, into the fold, a dubious honor considering the nonstop harassment involved.

After waiting out the low visibility and low ceilings of early morning fog, a 35-minute flight in Mike’s V-tail Bonanza from Ormond Beach (KOMN) got us to the Lake Parker entry point for the arrival into Lakeland Linder International (KLAL). Let the fun begin. Though I had performed this arrival in my airplane, the lack of direct control from the copilot seat seemed to make the proce- dure more stressful. Or perhaps it was the uncomfortable proximity to other airplanes. Or perhaps it was the NTSB report I was envisioning: “Two ATP-rated pilots were…” On a side note, compliments to the controllers who volunteer for the event. They’ve developed a “show” vernacular that is explicit in the instructions, humorous in its tone, complimentary in its encouragement of correct performance without condescension, and welcoming in its message.

Mike performed a touchdown in close proximity to the green dot, despite some last-minute instructions. We survived without a scratch. The taxi and parking process can sometimes prove exciting, and in this circumstance, it met expectations. An “Exhibit” sign had been placed in the corner of the Bonanza windscreen based on this magazine being a sponsor.

We were allowed entry through the gate, but no parking space was available. I had innocently thought that a section of pavement or grass would be available for media, but a quick golf cart ride confirmed otherwise. We were unceremoniously towed out and offered parking elsewhere. At least we have the pictures to prove our 10-minute exhibitor status.

After losing the battle of dry earth vs. corkscrew tie-down stakes, we covered the airplane and set off on a mission to retrieve my media pass and wristband. Open- ing the door to the building that had previously housed the volunteers involved with media revealed an empty room. Uh oh. After an inquiry or two, we were directed across the street to a trailer in a parking lot.

Unfortunately, I was 10 minutes too late. Passes were now only being issued inside the exhibit area, where we had been almost an hour ago.

An attempt to re-enter was thwarted by the same security volunteers that had pointed us to the parking lot trailer. Despite displaying various forms of identification and pleading our case—well, maybe some airline pilot whining—we were denied entry. A text message and phone conversation later, we were rescued via a golf cart driven by editor-in-chief Julie Boatman, narrowly avoiding Sun ‘n Fun prison.

After spending a little time in the air-conditioned comfort of our magazine’s greeting tent, Mike and I thought it best to begin our trek through the hangar displays. The outside temperature of 91 degrees was our primary motivation. I conduct my hangar walk methodically, without missing an aisle of vendors. The process can lead to sensory overload, so it’s best to scan ahead before proceeding.

Having successfully accomplished that—inclusive of a very tasty chicken pita sandwich that I confess to having low expectations for—we sought refuge back in the FLYING Media Group tent, while we awaited the arrival of my Connecticut crowd and associates.

It was great to reunite with old friends—airline colleagues and GA pilots alike. Introductions were made, and within seconds the verbal abuse began. Like a fighter pilot, it’s best to begin as the aggressor, but inevitably you are shot with a missile or a fusillade of high-caliber rounds. I apologized to my fellow magazine staff members, who were caught in the crossfire. Day one ended with hotel check-in, a rushed shower, and dining at our standard tradition of Bonefish Grill.

Without a clue as to his job description, Mike had volunteered for some type of ops duty, beginning with a briefing at 07:30 the next morning. Having been extended an invitation by his fellow JetBlue check airman friend and air operations chairman, Sam Huffstetler, I attended. I had no doubts as to the organizational strength of Sun ‘n Fun, but it was a great experience to witness how some of the sausage was made. The professionalism of the volunteers was impressive. Sam was three weeks from leaving the airline and, as is typical for my colleagues, wanted assurances that he would sur- vive retirement. I confirmed that was almost certain. His immediate plans were to embark on a 3-month bicycle tour across the country and to grow his air boss business: www.flightleadairboss.com. Mike found his volunteer niche at the top of the announcer’s tower, talking on the advisory frequency. He shared duties with another JetBlue colleague, assisting airplanes on the taxiway that may have lost their way. It was a great vantage point. Unfortunately, he witnessed an Aeroshell T-6 ground loop after a rudder steering cable allegedly broke.

I managed a quick visit with my Jetmobile friend and his wife. As usual, he was engaged with an activity; on this occasion, it was an impromptu parade with his motorized 747 engine. Now both retired, Paul and Susie were not leaving much runway underneath their feet, traveling to various destinations almost biweekly.

After a Mexican lunch outside of the compound, my airline friends led the way into the comfort station tent of the Allied Pilots Association (APA), my former pilot union. As expected, I had close encounters with long- lost colleagues. In addition, I engaged in a refreshing conversation with the enthusiastic daughter of one our Boeing 737 pilots. At 25, she was a C-17 pilot in the Air Force reserves, soon to be on the fast track to my former employer.

Day two ended with our traditional dinner at Bern’s Steakhouse in Tampa. It’s always an experience, especially with a crowd of eight. The dessert room is required attendance by our group’s bylaws, with the price almost exceeding that of the steak just consumed.

Departure day was spent partly with my editor-in-chief, an unusual treat since her hair is usually on fire. As part of that, Julie coordinated for me the opportunity to meet Daher staff and sit in the TBM 960, an incredibly sophisticated machine.

We inhaled an early lunch of BBQ chicken and had the Bonanza’s engine started by 12:15. Our departure was without issue except for the delay caused by two Amazon 737 arrivals. After a successful navigation through Orlando’s Class-B airspace, we arrived in KOMN no worse for the wear.

Sun ‘n Fun is certainly about the airplanes, but it’s the people that define the experience.

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